Hellzapoppin (musical)
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Lewis has also appeared in stage musicals. In 1976, he appeared in a revival of Hellzapoppin' with Lynn Redgrave, but it closed on the road before reaching Broadway.[17] In 1994, he made his Broadway debut, as a replacement cast member playing the Devil in a revival of the baseball musical, Damn Yankees, choreographed by future film director Rob Marshall (Chicago).[18]
Hellzapoppin | |
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Original Broadway window card | |
Music | Sammy Fain Charles Tobias |
Lyrics | Sammy Fain Charles Tobias |
Book | Harold "Chic" Johnson John "Ole" Olsen |
Productions | 1938 Broadway 1941 Film |
Hellzapoppin is a musical revue written by the comedy team of Olsen and Johnson, consisting of John "Ole" Olsen and Harold "Chic" Johnson, with music and lyrics bySammy Fain and Charles Tobias. The revue was a hit, running for over 3 years, and was at the time the longest-running Broadway musical, with 1,404 performances,[1] making it one of only three plays to run more than 500 performances in the 1930s.
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[edit]Production
After opening at the Schubert Theatre in Boston on September 10, 1938, Hellzapoppinopened on Broadway at the original 46th Street Theatre on September 22, 1938, transferred to the Winter Garden Theatre on November 26, 1938, and finally moved to theMajestic Theatre on November 25, 1941, closing on December 17, 1941, after a total of 1,404 performances.
Olsen and Johnson led a large cast of entertainers:[2] the comedy team of Barto and Mann(Dewey Barto and George Mann); Charles Whithers; celebrity impersonators, the Radio Rogues; Hal Sherman; Walter Nilsson; singing group The Charioteers; identical-twin dancers Bettymae and Beverly Crane; stage magician Theo Hardeen (better known asHoudini's younger brother); the Hawaiian music of Ray Kinney and the Aloha Maids; Bergh and Moore; J. C. Olsen; Reed, Dean and Reed (Bonnie Reed, Syd Dean, and Mel Reed); Roberta and Ray; The Starlings; Dorothy Thomas; Shirley Wayne; Cyrel Roodney and June Winters; Billy Adams; and Whitey's Steppers (also known as Whitey's Lindy Hoppers). Olsen and Johnson were succeeded by Jay C. Flippen and Happy Felton in June of 1940.[3]
[edit]On the Road
In late 1940 and during 1941, while Hellzapoppin was still playing at the Winter Garden Theatre and later the Majestic Theatre, a second edition of Hellzapoppin with Billy House and Eddie Garr toured the country.[4] The cast included Grace & Nokko, The Oxford Boys, Sterner Sisters, Ben Dova, Paul Gordon, Billy Potter and Bobby Jarvis.
Following the close of Hellzapoppin at the Majestic Theatre on December 18, 1941, many in the Broadway cast went on the road during 1942 with Jay C. Flippen and Happy Felton. This road edition of Hellzapoppin included Barto and Mann, Charles Withers, The Radio Rogues, Harry Reso, Walter Nilsson, The Charioteers, Lyda Sue, Theo Hardeen, June Winters, Bonnie Reed, Shirley Wayne, Ruth Faber, Stephanie Olsen, Bergh and Moore, Dippy Diers, Bobby Barry, Billy Adams, and Sid Dean.[5][6] The road shows continued in the same style of sight gags, risqué humor, and audience involvement.[7]
In late 1942, A "New 1943 Hellzapoppin" revue with Jackie Gleason and Lew Parker was staged at the Nixon Theatre, Pittsburgh, Pennsylanvia,[8] [9] Hanna Theatre, Cleveland, Ohio,[10] and Erlanger Theatre, Chicago, Illinois.[11] The cast included many of the original and road show performers (Barto and Mann, the Radio Rogues, Charles Withers, Theo Hardeen, Harry Reso, Stephen Olsen, Bergh and Moore, Dippy Diers and Billy Adams) and several newcomers to the show (the Biltmorettes, the Commandos, the Kim Loo Sisters, Mary McNamee, and Jean Baker).[9]
[edit]The Movie
A film based on the stage musical was made by Universal Pictures and released in 1941. Except for Olsen and Johnson, no one from any of the stage productions appeared in the movie.
[edit]Broadway revival
In 1976, there was an attempt to revive the show with a cast that included Jerry Lewis and Lynn Redgrave, but it closed on the road before reaching Broadway.[12]
The television show Rowan and Martin's Laugh-In (1968-1973) was an attempt to replicate the fast-paced, anything-can-happen atmosphere for a new generation.
[edit]Sketches
A comedy hodgepodge full of sight gags and slapstick, the show was continually rewritten throughout its run to remain topical; its opening scene was Hitler speaking in a Yiddish accent. A circus atmosphere prevailed, with dwarfs, clowns, trained pigeons and audience participation adding to the merriment.[1] The sketches were a "smorgasbord of explode-the-fourth-wall nuttiness:...comedy songs; skits abandoned partway through; cameos by audience stooges; an absurdist raffle; and in a trademark stunt, a man who wandered through the theater hawking an ever-larger potted tree."[13]
As an actress walked the aisles yelling, "Oscar!", another loudly said that was just going to use the bathroom. When this started to overwhelm, an actor started loudly selling tickets to another Broadway show, "I Married An Angel."[7]
[edit]Songs
The songs were decidedly less important to the show's success than was its comedy. Lyrics and music by Sammy Fain and Charles Tobias (unless otherwise noted).
- Act 1
- "Blow a Balloon Up to the Moon"
- "Fuddle-Dee-Duddle"
- "A Bedtime Story"
- "Strolling Thru the Park"
- "Abe Lincoln" (Music and Lyrics By Earl Robinson and Alfred Hayes)
- "Shaganola"
- "It's Time To Say Aloha"
- Act 2
- "Harem on the Loose"
- "Ol' Man Mose'" (Music and Lyrics By Louis Armstrong and Zilner T. Randolph)
- "When You Look in Your Looking Glass" (Lyrics By Sam M. Lewis, Music By Paul Mann and Stephen Weiss)
- "When McGregor Sings Off Key"
- "Boomps-a-Daisy (I Like a Bustle that Bends)"
- "We Won't Let It Happen Here"
Songs featured during the run also include work by Don George, Teddy Hall, Annette Mills, Gonzalo Curiel, and Oscar Hammerstein II.
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